ENTER THE MIND OF GREG WIGFALL JR

Greg Wigfall Jr. is a Berklee-trained Creative Technologist who has spent over 15 years mastering the full lifecycle of a song, from the initial tracking session to the final royalty reconciliation. His career began in the trenches of legendary recording facilities, including Ruff Ryders and D-Block Studios, where he served as a ProTools and Logic Pro certified engineer for over 25 artists across hip-hop, R&B, and rock. This deep technical foundation allows him to approach music not just as an administrator, but as a producer who understands the sonic nuances required for broadcast-ready delivery.

Beyond the studio, Greg has established himself as a powerhouse in legacy asset management, overseeing a $1M+ catalog that features some of the most iconic samples in music history. He serves as the catalog administrator for the 6x Platinum "Work It" by Missy Elliott and the Platinum-selling "Fire Water Burn" by the Bloodhound Gang. His expertise in rights administration and contract tracking has led to high-profile sync placements in major productions such as Netflix’s Stranger Things, The Nutty Professor, and Fahrenheit 9/11. 

In his current leadership roles, Greg bridges the gap between creative output and operational efficiency. As the Head of Music Supervision for Jazz Hands for Autism, he architected a proprietary metadata system for a 2,000+ track library, establishing a centralized "source of truth" that reduced administrative processing time by 30%. His ability to navigate complex rights verification and global copyright law ensures that high-volume licensing workflows—sometimes exceeding 100 agreements weekly—are executed with surgical precision.

Driven by a commitment to the future of the industry, Greg also serves as a Subject Matter Expert and educator, developing curricula on music licensing, digital rights management, and royalty tracking. Whether he is mastering a track for Dolby Atmos or negotiating a sync deal with a major film studio, Greg’s 360-degree perspective ensures that every project is both technically flawless and commercially optimized. He remains a rare "dual-threat" professional, blending the ear of an engineer with the mind of a licensing executive.

As a Podcast audio editor I take pride in taking raw audio recordings and transforming them into polished, professional-sounding podcasts. i use a variety of software tools (logic pro/pro tools) to edit and improve the sound quality of the recordings, remove unwanted noise, and add music, sound effects, and other elements.

With audio for video i’m responsible for creating the sonic landscape of a documentary film or podcast. I work with the director and producer to select and edit the sound recordings, music, and sound effects that will be used in the final product.

AS A MIX AND MASTER ENGINEER, I’M RESPONSIBLE FOR TAKING THE INDIVIDUAL TRACKS OF A RECORDED SONG AND COMBINING THEM INTO A SINGLE, COHESIVE MIX. I ALSO APPLY MASTERING TECHNIQUES TO THE FINAL MIX TO ENSURE THAT IT SOUNDS ITS BEST ON A VARIETY OF PLAYBACK SYSTEMS.

Albums

SONGS MIXED, MASTERED, AND PRODUCED