meet greg wigfall jr

Greg Wigfall Jr. is a Berklee-trained Creative Technologist who has spent over 15 years mastering the full lifecycle of a song, from the initial tracking session to the final royalty reconciliation. His career began in the trenches of legendary recording facilities, including Ruff Ryders and D-Block Studios, where he served as a ProTools and Logic Pro certified engineer for over 25 artists across hip-hop, R&B, and rock. This deep technical foundation allows him to approach music not just as an administrator, but as a producer who understands the sonic nuances required for broadcast-ready delivery.

Beyond the studio, Greg has established himself as a powerhouse in legacy asset management, overseeing a $1M+ catalog that features some of the most iconic samples in music history. He serves as the catalog administrator for the 6x Platinum "Work It" by Missy Elliott and the Platinum-selling "Fire Water Burn" by the Bloodhound Gang. His expertise in rights administration and contract tracking has led to high-profile sync placements in major productions such as Netflix’s Stranger Things, The Nutty Professor, and Fahrenheit 9/11. 

In his current leadership roles, Greg bridges the gap between creative output and operational efficiency. As the Head of Music Supervision for Jazz Hands for Autism, he architected a proprietary metadata system for a 2,000+ track library, establishing a centralized "source of truth" that reduced administrative processing time by 30%. His ability to navigate complex rights verification and global copyright law ensures that high-volume licensing workflows—sometimes exceeding 100 agreements weekly—are executed with surgical precision.

Driven by a commitment to the future of the industry, Greg also serves as a Subject Matter Expert and educator, developing curricula on music licensing, digital rights management, and royalty tracking. Whether he is mastering a track for Dolby Atmos or negotiating a sync deal with a major film studio, Greg’s 360-degree perspective ensures that every project is both technically flawless and commercially optimized. He remains a rare "dual-threat" professional, blending the ear of an engineer with the mind of a licensing executive.